novel Rebecca

In the novel Rebecca, du Maurier social occasions techniques, such as parley and setting description, to create suspense and focus. But in the movie, Hitchcock uses divergent techniques, like unison and scenery, to create the right kind of suspense and tension for his audience. The p striations are the same, notwithstanding the techniques are non. In the novel, the author uses a lot of dialogue to create the suspense needed to make the storyline interesting. For modeling, on page 259 in chapter 19, the narrator is speaking with Ben. The fishes have eaten her up by now, havent they? he said. Who? I said. Her, he said, the other one. Fishes fagt eat steamers, Ben. The narrator does not understand that Ben is speaking nigh Rebeccas frame in the cabin of the boat that was found. This creates suspense by the reader not hunching whats going on or whose body was found, since Maxim has not yet told the narrator that it is Rebeccas body in the cabin and that he killed her. Du Maurier alike uses fog mixed with dialogue to create the suspense and tension thats needed and wanted. An excellent example of this would be on page 246 in chapter 18, when Mrs. Danvers tries to coax the narrator into jump out of the window to her death. She pushed me towards the open window. I could see the terrace beneath me grey and indistinct in the white wall of fog. Look overmatch there, she said. Its easy, isnt it? Why fathert you jump? It wouldnt hurt, not to break your neck. Its a quick, kind stylus. Its not like drowning. Why dont you try it? Why dont you go? The fog filled the open window, damp and clammy, it hurt my eyes, it clung to my nostrils. I held onto the window-sill with my hands. The fog covers the ground so the narrator tinnot see how out-of-the-way(prenominal) up she really is.Not to mention the reader does not know whether or not the narrator forget follow through with start or not. Shes already at the open window, all she has to do is step out. In the movie version of the novel Rebecca, Alfred Hitchcock uses different techniques than du Maurier does. alternatively of using setting description, he just uses scenery because you can genuinely see it. For example, he uses the setting descriptions of the narrators dream from the startle of the novel to create the scenery, visuals, and the enactment of the dream in the movie.The dream in the movie sounds exactly like the dream in the novel, but you can actually see it instead of imagining it. The suspenseful part is when the house is sick and there is no sign of life. But suddenly, a light turns on. Also, he uses scenery as Manderly burns to the ground at the end of the movie. Hitchcock also uses harmony to create suspense and tension. As mentioned earlier, Manderly is burnt down and as Maxim figures out that its Manderly burning, suspenseful music plays. Earlier in the movie, the narrator tells Mrs. Danvers to remove certain things from the room.Mrs. Danvers asks her why, and the narrator replies, Because I am Mrs. de overwinter now. As she says this, suspenseful music plays. The techniques used in the movie and in the novel are very different. The only similar technique is dialogue, and the way things are stated by the characters. Theyre different because scenery is not included in a story. The author must use descriptions of the current setting so you can imagine it in your mind, since it isnt cosmos projected in front of your eyes like a movie. You cannot use music in a book, because you will not be qualified to hear it.So, film directors such as Alfred Hitchcock use certain types of music to set different moods. For example, eerie music is used to create suspense, and music with high notes is used to create a happy, light-hearted mood. This is not possible in a novel unless the author describes it to you. Finally, the movie and the novel both use certain techniques to create different amounts of suspense and tension. The types of techniques may be different, but they work. They create the mood that is necessary. IF you read the book and then watch the movie, you will notice the different styles of techniques that du Maurier and Hitchcock use.