Franz Kafkas The Metamorphosis :: Metamorphosis essays

The transfiguration The Metamorphosis is the story of a commercial traveler, Gregor Samsa,that one morning awoke rancid into a gigantic insect. It is no dreambut, simply and plainly, a authoritative metamorphosis with no rhetoric inbetween. Facing this incredible fact, Kafka does non do any realisticconcessions and keeps the new condition of the character to the end.That makes of The metamorphosis a hard work of fiction, in the federal agency ofOdyssey (with which, besides, it is closely related) or in the way ofthe Medieval fairy tales, specially those in which the stiff witchturns The Prince Charming into a hideous animal. From the other side, the work, that belongs to a trilogy or so marriagein relation to the individual, the family and the so-ciety written byKafka, has a super autobiographical contain. In The Judgment thesubject is the engagement assumed as a treason to the literary callingin The metamorphosis in that respect is a view of marriage and family relationsf rom a masochistic and incestuous perspective in The Trial, it is thesettlement of accounts, related with the incapacity of accomplishing theacquired compro-mises, according to an extemporaneous law, he must pay. Inthe three cases, the story ends with the protagonists death. The Metamorphosis is reinforced on a fiction level with dickens faces, Crime and penalty by Dostoevsky and Venus in Furs by Leopold von Sacher-Masoch,superposed in a way they get in contact with a real level with two facestoo, the family relations and his dreams of Felice. By the merging oftheses two levels, Kafka gets a fantastic populace which allows him toexpress his deepest dreams and desires in relation with marriage and sexin a poetic language that turns The Metamorphosis into a classic oferotism, aspect not considered until now. (Such a pleiad, Kafka, Sacher-Masoch and Dostoesky, met in The Metamorphosis turns into a height ofmasochism this work). PART angiotensin-converting enzyme The Metamorphosis h as three parts the first one describes both the shifting of Gregory and his familys reaction to this respect thesecond part shows the new cotidianity of the fami-liar group whose finespun estability crush with Gregory and sis-ters bringing face toface and the last part, where we attend Gregorys queer attemp ofreconquering his sister, ends with his death. The foreground onto which Kafka builds his work is Dostoevskys novel.This one brings to him a textual base that he lightly, mainly throughsubstitutions, varies for adapting it to the intentions of his ownstory. For the first part of The Meta-morphosis, Kafka takes three